M. Abdullin's scenography in the context of the 1930s ideology |
| 6 | |
| 2011 |
| scientific article | 82 | ||
| 384-390 | Tatar theatre, scenography, official ideology, class approach, national culture, performance space |
| The author examines specific features of the creative method of M. Abdullin, the first Tatar professional scenographer. The analysis is done in the context of the social and political situation of the 1930s when ideological or production-related tasks rather than creative ones were at the forefront of theatre life. |
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