«ONEGIN INTERLINES» AS A PHENOMENON OF ART AND SEMANTICS |
4 | |
2013 |
scientific article | 82 | ||
174-177 | text, development, interpretation, topos, identity, accent |
In the course of perception of «Eugene Onegin» by A.S. Pushkin, the phenomenon of interlines in this work has expanded its contextual meaning. It came to be seen not so much as an understatement, but rather as an overstatement, i.e not only a as a subtext, but as a supertext and as a paratext. Culturological analysis of the text has revealed several new attributes of the work which evolved during readers’ reception. |
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