The article attempts to interpret the style eclecticism of Sasha Sokolov's novel «Palisandria». The nonlinear and astructural character of the fiction text allows us to see in the novel the idea of organizational instability, which is explained by the choice of a specific genre, pastiche. The author shows that Sokolov's text is in a state of permanent transgression, so the limits and exits permeating the novel lead the multilevel layers of «Palisandria» to the border of the impossible, where they acquire the status of the possible and the real, thereby increasing the variants of the infinitely expanding series of singularities. As a result, at any level of the hero's origin, any time boundaries are erased: Palisander exists in a one-moment «now» - in the present, past and future. The analysis shows that reading the novel through the prism of the pastiche is more productive, because, unlike the parody, it does not interfere with the process of creating a new meaning.
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