The article examines specific features of stylistic nuances as well as aesthetic and artistic qualities generated by sound repetition. Alliteration and its stylistic basis in poetic diction, shades of emotionality and expressiveness arising from the repetition of consonants, and sounds creating acoustic tones are explained using characteristic passages from literature and linguistic facts concerning the authors of poems. Poetic factors that determine the degree of activity of alliteration repetition are analyzed in the unity of the form and content. Based on specific facts and arguments, the author discusses in detail the peculiar originality of harmony created in a context by repeating consonants and the role of this harmony in the construction of the poetic text.
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