INTERPRETATION OF THE MYTH OF ALCESTIS IN GEORG KAISER'S DRAMA «THE FIRE IN HE OPERA HOUSE» |
| 1 | |
| 2012 |
| 809 (07) | |||
| 259-262 |
| The article is aimed at analyzing the basic principles of «spiritual transformation» drama including imagery, conflict development, composition and action conventionality as exemplified by G. Kaiser’s drama «The Fire in the Opera House». |
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