Вестник Нижегородского университета им. Н.И. Лобачевского. Серия: Социальные науки

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Title of Journal	VESTNIK OF LOBACHEVSKY STATE UNIVERSITY OF NIZHNI NOVGOROD

Publisher	Nizhni Novgorod University Press
Place of Publication	Nizhni Novgorod
Publisher's Address	23 Prospekt Gagarina, Nizhni Novgorod, 603950, Russia

Issue	2
Part Number	3
Date	2014

Information about authors	LIST OF AUTHORS

Title of article	Pages	File (in Russian)

PART 1. NATIONAL CODES IN WESTERN EUROPEAN LITERATURE OF THE XX AND XXI CENTURIES
RUSSIAN CULTURE CODE IN «THE TRANSLATOR» BY JOHN CROWLEY (2002) Antsyferova O.Yu.	9-13
SHAKESPEREAN CODE IN A. CHEKHOV’S WORKS OF THE 1880S Artemeva L.S.	14-20
THE RECEPTION OF ANTIQUE MOTIVES IN ELIAS CANETTI’S WORKS Barova A.G.	21-24
MULTIMEDIALITY OF FANTASY AS AN IMPLEMENTATION OF THE PRINCIPLE OF INCOMPLETENESS Vinterle I.D	25-28
THE BIBLE CODE OF I. BACHMAN NOVEL «MALINA» Vorotnikova A.E.	29-33
PARATEXT AS THE DIFFERENT CULTURAL CODE (ON THE EXAMPLE OF THE FRENCH TRANSLATIONS OF I.S. TURGENEV’S « A SPORTSMAN SKETCHES ») Voskresenskaya N.A.	34-38
IMAGES OF THE VISUAL ARTS IN THE «WAR TRILOGY» BY A. POWELL Efimova N.V.	39-42
REALIZATION OF THE CONCEPT «ENGLISH» IN THE FILM ADAPTATION OF MODERN BRITISH CLASSICS Efimova N.I.	43-46
NATIONAL SPACE AS THE CENTRE OF NATIONAL WORLD'S IMAGE IN THE NOVEL BY JOHN FOWLES «DANIEL MARTIN» Zinnatullina Z.R.	47-51
IRMTRAUD MORGNER’S DEMONIC NOVELS IN THE CONTEXT OF GERMAN LITERATURE OF MAGICAL REALISM Ivlieva I.D.	52-55
LUXEMBOURG NATIONAL CODE IN RECEPTION OF EUROPEAN SATIRIC TRADITION (ON EXAMPLE OF « REYNARD CYCLE ») Kazakova E.V.	56-58
SHAKESPEARIAN CODE IN BOTHO STRAUS’ PLAY «PARK» Kiseleva I.S.	59-62
SWEDISH «PEOPLE'S HOUSE» (FOLKHEM) AT THE BEGINNING OF THE XXI CENTURY: S. LARSSON'S TRILOGY «MILLENNIUM» Koblenkova D.V.	63-69
DECONSTRUCTING THE MYTH OF NATION-NESS WITH IRONY AND CONTRAST (THE NOVELS OF GRAHAM JOYCE) Kolesnikov A.Yu.	70-73
METAMORHOSES IN A. GREY`S SHORT STORIES Kondratov V.S.	74-78
ENGLISH CHRISTMAS CODES IN THE POSTMODERN NOVEL BY T.PRATCHETT «HOGFATHER» Koroleva O.A.	79-83
REFERENCES TO THE NATIONAL CODE PRINCIPALITY OF LIECHTENSTEIN: LEGENDS ABOUT LIGHT STONE Kudryavtseva T.V.	84-89
SHAKESPEAREAN CODE IN THE DAN SIMMONS' DILOGY «ILIUM» Kulikov E.A.	90-94
ANTROPONIMIC SPACE OF THE NOVEL «DEAD BABIES» BY MARTIN AMIS Lunina V.L.	95-100
LANDSCAPE LYRICS OF WILHELM LEHMANN: THE STRATEGY OF THE CARE FROM A STRUGGLE OR OF THE CONFRONTATION Melnikova I.M.	101-105
THE GENRE CODE OF MYSTERY PLAY IN THE 19 Menschikova M.K.	106-109
«GENIUS»: TRANSFORMATION OF ROMANTIC MOTIVES IN D. KELMAN’S NOVEL «MAHLERS ZEIT» Nefedova E.G.	110-113
CODE OF THE PICTURESQUE IN THE MODERN ENGLISH NOVEL Novikova V.G.	114-119
QUEST OF THE HOLY GRAIL AS AN ELEMENT OF THE BRITISH NATIONAL CODE («THE FISHER-KING» BY T. GILLIAM) Potapova O.S.	120-125
«ENGLISHNESS»: NATIONAL DISTINCTIVE CHARACTER IN LITERARY TRADITIONS (BY EXAMPLE OF CONTEMPORARY WOMEN'S FICTION «CHICK LIT») Remaeva Yu.G.	126-130
A GERMAN VIEW OF RUSSIA AND THE RUSSIANS AT THE TURN OF THE 19 Rodina G.I.	131-134
BELARUS AND POST-SOVIET REALITY IN THE BOOK OF HILBK «CHILD OF CHERNOBYL» Rymarchuk N.A.	135-137
MOTIF OF WAY IN FANTASY LITERATURE: G. MACDONALD AT THE BEGINNING OF THE TRADITION Samsonova A.I.	138-141
UWE TIMM - FORMATION OF CLASSICS Sedelnik V.D.	142-146
REPRESENTATIVENESS OF DIALOG OF TWO CULTURES IN THE NOVEL BY STEN NADOLNY «SELIM ODER DIE GABE DER REDE» Strakhova I.V.	147-150
«ENGLISH ANTIQUITY» IN ELIZABETH'S GASKELL’S NOVELS Telegina O.V.	151-155
SCANDINAVIAN DETECTIVE Tikhonova O.V.	156-160
ENGLISH CODE IN THE RUSSIAN MEMOIRS OF XIX CENTURY Urtmintseva M.G.	161-165
THE CODE OF HAMLET IN OLESHA’S WORKS Ushakova A.N.	166-169
THE SPECIFICS OF THE STEREOTYPIFICATION OF THE THE IMAGE OF RUSSIA IN MODERN ENGLISH LITERATURE Khabibullina L.F.	170-175
FRENCH CULTURAL CODE IN THE NOVEL «METROLEND» BY JULIAN BARNES Khokhlova E.V.	176-180
THEATRICALITY OF THE NOVEL ROBERT MUSIL «SINCERE DISTEMPERS OF THE PUPIL OF TYORLES» Tsvetkov Yu.L.	181-185
ANTIQUE CODES IN GERMAN PHILOSOPHICAL, AESTHETIC AND LITERARY CONSCIOUSNESS OF THE 20TH CENTURY Sharypina T.A.	186-192
RECEPTION OF RUSSIAN LITERATURE IN ELLIAS CANETTI’S WORKS Shastina E.M.	193-198
THE CONCEPTION OF THE ARTIST'S CHARACTER IN THE DRAMA OF TOM STOPPARD Shirokova L.M.	199-202
PART 2. LITERATURE AND THE PROBLEM OF INTEGRATION OF THE ARTS
GENRE TRAVESTY IN THE COLLECTION OF SHORT STORIES OF OSCAR WILDE «“LORD ARTHUR SAVILE’S CRIME“ AND OTHER STORIES» Antsyferova O.Yu., Listopadova O.Yu.	203-206
«THECOURILOFAFFAIRE» THE NOVEL BY IRENE NEMIROVSKY: AT THE INTERSECTION OF GENRES AND CULTURES Balaban A.I.	207-211
GENRE SYNTHESIS IN THE WORKS BY GARIK SUKACHEV (SONG «THE RIGHT TO CHOOSE») Belkova E.Yu.	212-214
MULTI GENRE SPECIFIC OF THE FILM OF L. HAUSMANN «SUN ALLEY» Burkhanova M.V.	215-218
POSTMODERN IMAGE OF THE INSECT AS QUINTESSENCE OF «HIGH» AND «LOW»: D. PRIGOV, V. PELEVIN, L. PETRUSHEVSKAYA Vatutina A.S.	219-223
GENRE OMNITUDE IN AMERICAN SHORT STORIES OF 1950-1960’S Galkina A.N.	224-227
PATHOLOGICAL STATEMENT IN THE AESTHETIC ASPECT: THE REPRESENTATION OF AUTISTIC WORLD IN J. MAYORGA'S PLAY «HIMMELWEG» Ginoyan K.R.	228-231
THE HEROINE OF THE NOVEL AND SOCIETY IN THE XX Hevessyova Anna	232-235
GENDER IDENTITY OF SLASHER: MURDER AND CAPITALISM Gromov B.Yu.	236-239
ADAPTATION PROBLEMS WITH COMPLEX SERIES OF GENRE STRUCTURE (ON THE EXAMPLE OF PROJECTS «PRISON BREAK» AND «ESCAPE») Zhigalova L.G.	240-244
THE SUBLIME AND LOWLY OF MARINA ABRAMOVIC'S PERFORMANCE Ignateva N.M.	245-248
REVISITING THE WESTERN: GENRE TRANSFORMATION IN «NO COUNTRY FOR OLD MEN» BY CORMAC MCCARTHY Karimova E.G.	249-253
THE MODERN SWEDISH DETECTIVE IS AS A SYNCRETIC GENRE Kozina Yu.E.	254-257
THE SYNTHESIS OF HIGH AND LOW GENRES IN WORKS OF ARKADY AND BORIS STRUGATSKY Konovalova M.A.	258-261
ANECDOTE AS «RAW MATERIAL» FOR SYNTHESIS OF GENRES (BASED ON OEUVRE OF V.O. PELEVIN) Lukovnikov M.A.	262-264
A FUNCTION OF MEDIA-AESTHETISATION AND INTELLECTUALISATION OF PHYSICALITY (TEORETICAL ASPECT) Meteleva N.I.	265-267
MIX OF GENRES IN THE STORY A.P. GAIDAR'S «SMOKE IN THE FOREST» АND FILM «SMOKE IN THE FOREST» BY Y. CHULYUKIN AND E. KARELOV Minaeva V.Yu.	268-270
LINGUISTIC EXPRESSIVE MEANS IN THE SLOGANS OF THE FESTIVAL «MONSTRATION» Nadezhkin A.M.	271-274
REVISION OF THE GENRE SYSTEM IN THE FRENCH DRAMA THE XIX-XX Osipova O.K.	275-278
SYNTHESIS OF GENRES IN THE LITERARY FAIRY TALE «HOWL'S MOVING CASTLE» BY DIANA WYNNE JONES AND IN THE EPONYMOUS ANIMATED SCREEN VERSION Paputkova E.A.	279-281
PARODY OF GENRES IN Y.N. TYNYANOV’S STORY «THE WAX PERSON» Pleshkova O.I.	282-287
THE MIXTURE OF HIGH AND LOW IN THE WORKS OF GERMAN ARTISTS OF THE RENAISSANCE ON ANTIQUE SUBJECTS Polagimova I.G.	288-292
NEW LIFE OF THE VICTORIAN GOTHIC NOVEL ON NOVELS BY JUSTINE PICARDIE «DAPHNE» AND DIANE SETTERFIELD «THE THIRTEENTH TALE» Poltanova E.A.	293-296
SPECIFICITY OF TRANSFORMATION OF BILDUNGSROMAN TRADITION IN DOMESTIC FANTASY 2000 Romanov V.A.	297-300
SYNTHESIS OF HIGH AND LOW GENRES IN THE TRILOGY «ABOUT ZHIHAR» BY M. USPENSKY Saveleva M.O.	301-304
GENRE SYNTHESIS IN VARIATIONS OF TALE «SNOW QUEEN» BY G.H. ANDERSEN IN CINEMA AND ANIMATION Semashkevich A.V.	305-308
MEDICINE THEMA IN LITERATURE IN END OF XIX - BEG. OF XXI CENTURY Solomonova A.A.	309-313
SACRED AND ONTOLOGICAL EVIL IN STRUGATSKY' S NOVEL «HARD TO BE A GOD» AND THE EPONYMOUS A.GERMAN' FILM: THE QUESTION ABOUT EVOLUTION OF HUMAN VALUES Strizhov A.Yu.	314-316
LANGUAGE PLAY IN THE DEMOTIVATIONAL POSTERS OF THE INTERNET Toscheva D.O.	317-320
THE ELEMENTS OF ANTIQUE BIOGRAPHY IN «THE EPISTLE ABOUT SAINT MACRINA’S LIFE» (ANCIENT SLAVONIC TRANSLATION) BY GREGORY OF NYSSA. THE MATTER ABOUT THE MOTION TO SOME NEW GENRE TYPE Trekhonina E.O.	321-325
THE FUNCTION OF TE ILLUSTRATIONS IN THE WORK «THE CURSE OF LONO» BY H.THOMPSON Fayzullina O.R.	326-330
BETWEEN SPIRITUAL AND TRIVIAL: THE SYNTHESIS OF POETIC AND PROSE IN JACK KEROUAC'S NOVEL «ON THE ROAD» Tsaplin R.S., Polushkin A.S.	331-334
PICARESQUE NOVEL AND NEW JOURNALISM IN «FEAR AND LOATHING IN LAS VEGAS» BY HUNTER S. THOMPSON Chernyaeva A.E.	335-339
LATEST LITERATURE AND CHALLENGES OF MASS CULTURE: ON THE SYNTHESIS OF «HIGH» AND «LOW» GENRES Chernyak M.A.	340-346
«THE BODY OF A LOSER». THE PROBLEM OF CORPOREALITY IN STRUCTURAL PSYCHOANALYSIS ON THE EXAMPLE OF S. BECKETT'S NOVELS Chirov M.V.	347-350

VESTNIK OF LOBACHEVSKY STATE UNIVERSITY OF NIZHNI NOVGOROD